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| Name | Beethoven Appassionata Q&A Viewer Request Tutorial Mov.3 bar 64-73 |
| Video Uploader | Video From Paul Barton |
| Upload Date | This Video Uploaded At 05-01-2014 05:41:17 |
| Video Discription | This "Question and Answer" tutorial video was made at the request of a subscriber. It deals with the left hand measures 64-73 in the Beethoven's Appassionata Sonata 3rd movement. This video demonstrates several practice methods to improve execution of alternating left hand intervals at a rapid tempo. _ _ _ _ _ _ _ _ _ _ Here is the commentary as text for English to any language translators: The execution of alternating intervals right or left is something that normally needs some study independently from playing Appassionata. I'll suggest a few simple study exercises in the trouble shooting section. A few thoughts are to play with a rounded hand and press the keys rubbing curling your fingers inwards slightly. To achieve the average performance tempo you must eliminate all unnecessary movement. Check to see you are playing on parts of the keys in such a way as your hands move as much as they need to and not more. It's important all notes are all heard clearly. As for the left hand, You might find it helpful to aim for the accented note around the top of the crescendo, thinking and feeling above all, the rhythmical pulse, with crescendo diminuendo, crescendo diminuendo, etc. Here are a few exercises I came up with for you based on the excellent and effective Dohnanyi finger strengthening exercise. You can play these articulation exercises at or away from the piano. After a week or so of table top practice you should find some considerable improvement with the execution of the alternating left hand intervals. Hope this helps. You can bring in the right hand too. If you are right handed you might find the alternating intervals easier to play than the left, for a combination of reasons. This is the Ernő Dohnányi exercise you can download from my piano facebook page http://www.facebook.com/paulbartonpiano You can take the principle of holding down a note or notes with the fingers of one part of the hand and to play normally with the fingers of the other to many technical issues, adapting the exercise to suit the situation. It is surprisingly effective for such a simple exercise, and again, can be played just as effectively away from the piano. Hold down one interval and repeat the other and visa versa. |
| Category | Music |
| Tags | Beethoven | Appassionata | No.23 | F minor | FEURICH | harmonic pedal | tutorial | tips | lesson | help | Paul Barton | 3rd movement | intervals |
