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B. Saroja Devi (born 7 January 1938) is an Indian actress, who has acted in Tamil, Kannada, Telugu and Hindi movies. One of the most successful female leads in the history of Indian cinema, she acted in around 200 films in over six decades.[1][2][3] She is known by the epithets "Abinaya Saraswathi" (Saraswathi of acting) in Kannada and "Kannadathu Paingili" (Kannada's Parrot) in Tamil.[4][3]
At the age of 17, Saroja Devi got her big break with her movie, the Kannada film Mahakavi Kalidasa (1955). In Telugu cinema, she made her debut with Panduranga Mahatyam (1959), and starred in a number of successful films until the late 1970s. The Tamil film Nadodi Mannan (1958) made her one of the top actresses in Tamil cinema. After her marriage in 1967, she continued to be the second in demand actress in Tamil films till 1974, but she continued to be one of the top actresses in Telugu and Kannada cinema from 1958 until the 1980s. She also starred in Hindi films until the mid-1960s, starting with Paigham (1959).
She played the lead heroine in 161 consecutive films[5] in 29 years between 1955 and 1984. Saroja Devi received the Padma Sri, the fourth-highest civilian honour, in 1969 and Padma Bhushan, third highest civilian award, in 1992 from the Government of India, honorary doctorate from Bangalore University and Kalaimamani award from Tamil Nadu.
Saroja Devi's debut movie and also her first major success was Honnappa Bhagavatar's Kannada film Mahakavi Kalidasa (1955), in which she played a supporting role. The film won the National Film Award for Best Feature Film in Kannada. Next, she acted in B. R. Panthulu's Tamil film Thangamalai Ragasiyam (1957), in which she performed a dance sequence.[10]
Subsequently, she was noted by M. G. Ramachandran (MGR), who cast her as the female lead in Nadodi Mannan (1958), the movie that made her one of the most popular actresses in Tamil Nadu. She was then signed up for the Hindi film Paigham (1959), in which her co-stars included Dilip Kumar. She went on to work in other leading Hindi actors, including Rajendra Kumar in Sasural (1961), Sunil Dutt in Beti Bete (1964) and Shammi Kapoor in Pyaar Kiya To Darna Kya (1963). She also shot a few scenes with Raj Kapoor for Nazrana (1961), but was replaced by Vyjayanthimala after a conflict with the director C. V. Sridhar.[11]
Following the success of Nadodi Mannan, she was also cast opposite the leading Tamil actors of that time: with Gemini Ganesan in Kalyana Parisu (1959), with Sivaji Ganesan in Bhaaga Pirivinai (1959) and again with MGR in Thirudadhe (1961).[4] Her involvement in Tamil films also continued with superhits like Palum Pazhamum (1961), Aadi Perukku (1962), Aalayamani (1962), Periya Idathu Penn (1963), Puthiya Paravai (1964), Panakkara Kudumbam (1964), Enga Veetu Pillai (1965) and Anbe Vaa (1966). She came to be known as a "lucky mascot" for MGR films and acted with him in 26 films.[12]
Her early successes in Kannada cinema included Chintamani (1957), School Master (1958) and Jagajyothi Basveshwara (1959). Her role as a patriotic anti-British queen in the Kannada Kittooru Rani Chennamma (1961) was widely acclaimed. In 1964, she and Kalyan Kumar acted in the first full-fledged Kannada colour movie Amarashilpi Jakanachaari.
Saroja Devi also achieved success in Telugu films, starring opposite N. T. Rama Rao in Seetarama Kalyanam (1961), Jagadeka Veeruni Katha (1961) and Daagudu Moothalu (1964). Amara Shilpi Jakkanna (1964, remake of Kannada film) and Rahasyam, her film Pelli Kaanuka (1960) with Akkineni Nageswara Rao, were also successful. The first Telugu film featured dubbing; wherein, Krishna Kumari dubbed her voice in Panduranga Mahatyam (1957). But in the subsequent years, Saroja Devi learnt Telugu language. Her Hindi films included Sasural (1960), Opera House (1961), Pareeksha, Hong Kong (1962), Pyar Kiya To Darna Kya(1963), which became successful. In 1962 she was crowned "Chaturbhaasha Taare", because of her popularity in these four languages.[13]
The pair of MGR-Saroja Devi gave 26 back-to-back hit films together-[14] which included 1)Nadodi Mannan(1958), 2)Thirudathe(1961), 3)Thaai Sollai Thattadhe(1961), 4)Paasam (1962), 5)Kudumba Thalaivan(1962), 6)Maadappura(1962), 7)Thayai Katha Thanayan(1963), 8)Dharmam Thalai Kaakkum(1963), 9)Needhikkuppin Paasam(1963), 10)Dheiva Thaai(1964), 11)Padagotti(1964), 12)Aasai Mugam(1965), 13)Nadodi(1966), 14)Thali Bhagyam(1966), 15)Naan Aanaiyittal(1966), 16)Petralthan Pillaiya(1966), and 17)Arasa Kattalai(1967). Her best performances opposite MGR were the "rich girl" roles: 18)Panathottam(1963), 19)Periya Idathu Penn(1963), 20)Panakkara Kudumbam(1964), 21)En Kadamai(1964), 22)Thaayin Madiyil(1964), 23)Enga Veettu Pillai(1965), 24)Kalangarai Vilakkam, Anbe Vaa(1966), and 26)Parakkum Paavai(1966).[citation needed] The women adored her dressing sense and her saris and blouses, ornaments, hairstyles were copied by girls and women. |