Hellow guys, Welcome to my website, and you are watching Music Theory ~ Review Video (AP and Undergraduate). and this vIdeo is uploaded by Lennon Ashton at 2020-06-30T22:14:02-07:00. We are pramote this video only for entertainment and educational perpose only. So, I hop you like our website.
| Name | Music Theory ~ Review Video (AP and Undergraduate) |
| Video Uploader | Video From Lennon Ashton |
| Upload Date | This Video Uploaded At 01-07-2020 05:14:02 |
| Video Discription | Hey everyone! The music theory teacher in me wanted to create a review video on just about every topic you would possibly encounter in an AP Music Theory course or an undergraduate music theory program that focuses on tonal harmony. My hope is that you find this to be an excellent resource to review some of the most important concepts that you need to understand in music theory. If you enjoy this video, please like, comment, and subscribe to my page! Also, be sure to share this video with anyone who might find it beneficial and useful! Also, for additional review, feel free to try out my 100-question Kahoot that reviews everything covered in this video! https://create.kahoot.it/share/music-theory-review/049ac482-34ac-4267-863d-4f468805318c Have a V–I day! ____________________________________________________ *This video mainly follows and outlines the “Tonal Harmony” textbook, which I highly recommend. Here is the order of the topics presented in this video: Introduction ~ 0:00 Tonal Harmony ~ 0:37 Elements of Pitch ~ 2:01 The Major Scale ~ 6:10 Major Key Signatures and Circle of Fifths ~ 10:09 Minor Scales and Minor Key Signatures ~ 14:46 Relative Keys ~ 19:29 Scale Degree Names ~ 23:57 Intervals ~ 26:06 Inversion of Intervals ~ 31:29 Elements of Rhythm ~ 35:29 Time Signatures ~ 38:18 Other Rhythm Concepts ~ 42:15 Tempo ~ 45:13 Triads and Seventh Chords ~ 45:39 Chord Inversions ~ 47:56 Figured Bass (*Correction: I meant to say "G is a sixth above B" when discussing the 6/3 inversion.) ~ 50:36 Recognizing Chords ~ 54:11 (*Note: The new way that I teach the chart of thirds is by using a circle of thirds. The problem with my initial chart is that if you were trying to identify something like an F-major triad, you would need to extend the chart by rewriting A and C on the top. Using a circle means that the 7 letters will keep cycling infinitely. Write the same 7 letters around a circle going clockwise; after the notes of the chord you are trying to identify are circled, look for the first circled letter when going clockwise to identify the root.) Diatonic Triads ~ 56:23 Diatonic Seventh Chords ~ 1:00:40 The Melody Line ~ 1:03:07 Notating and Voicing Chords ~ 1:06:19 Motion ~ 1:09:02 Parallel Motion (*Correction: The last Roman Numeral should be a V.) ~ 1:10:09 Root-Position Part Writing ~ 1:13:22 Transpositions ~ 1:17:58 Sequences ~ 1:20:27 Harmonic Progression ~ 1:22:46 Harmonizing a Simple Melody ~ 1:27:39 Triads in First Inversion ~ 1:31:11 Triads in Second Inversion ~ 1:33:55 Cadences ~ 1:36:18 Phrases, Periods, and Sentences ~ 1:39:03 Texture ~ 1:42:15 Counterpoint ~ 1:43:11 Composing an Unembellished Bass Line ~ 1:45:11 Composing a Counterpoint to a Bass Line ~ 1:47:15 Contrapuntal Motion ~ 1:49:50 Nonchord Tones (*Correction: Appoggiaturas are typically accented, so for the example that I gave (assuming it is in common time), it would be better if the G was a half note that is harmonized by a G-major chord, and then the chord changes to C major on the third beat.) ~ 1:51:51 The V7 Chord ~ 1:56:47 Other Diatonic Seventh Chords ~ 2:00:38 Secondary Dominants ~ 2:04:09 Secondary Dominants (Examples) ~ 2:09:25 Secondary Leading-Tone Chords ~ 2:12:57 Secondary Leading-Tone Chords (Examples) ~ 2:15:00 Other Secondary Function Concepts ~ 2:18:36 Modulation and Key Relationships ~ 2:21:05 Common-Chord Modulation ~ 2:24:43 Other Modulatory Techniques and Chromatic Mediants ~ 2:28:15 Larger Forms ~ 2:31:39 Popular Music ~ 2:37:17 Mode Mixture (*Correction: The word on the board should say "palette.") ~ 2:41:40 The Neapolitan Chord ~ 2:45:06 Tritone Substitution ~ 2:47:48 Augmented Sixth Chords ~ 2:50:01 Enharmonic Spellings and Modulations ~ 2:53:03 Additional Harmonic Possibilities ~ 2:56:22 Common-Tone Diminished Seventh Chords ~ 2:59:10 Mediants ~ 3:00:26 Advanced Concepts of Tonal Harmony (*Correction: The noteheads on the final beat of the omnibus should not be touching because stems need to align.) ~ 3:02:12 Introduction to Post-Tonal Music ~ 3:06:42 The Diatonic Modes ~ 3:08:19 The Diatonic Modes (Examples) ~ 3:10:17 Other Post-Tonal Scales (*Correction: The fifth note of the C-minor pentatonic scale should be a B♭, not an A♭.) ~ 3:12:30 Post-Tonal Chord Structures ~ 3:14:52 Other Post-Tonal Music Concepts ~ 3:16:59 Post-Tonal Rhythm and Meter ~ 3:19:07 Outro ~ 3:23:50 |
| Category | Music |
| Tags | Lennon Ashton | Music | Music Theory | Review Video | AP Music Theory | Advanced Placement Music Theory | Undergraduate Music Theory | College Music Theory | University Music Theory | IB Music | Tonal Harmony | Final Review | Tutorial | Study Guide | Music Theory Review | Music Review Video | Music Theory Review Video | Music Theory Video |
