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| Name | Nawazuddin Siddiqui on his challenges and the struggles that shaped him | Film Companion |
| Video Uploader | Video From Film Companion Studios |
| Upload Date | This Video Uploaded At 12-03-2018 08:34:05 |
| Video Discription | In our latest episode of FC Unfiltered, actor Nawazuddin Siddiqui speaks to a roomful of acting students about his extraordinary journey. He speaks about the days when he went without food, money and was so sick that he had clumps of hair falling out. When asked about whether he ever doubted if he could become an actor, he said - I was always an actor. I just didn’t have work. Siddiqui also speaks about why he’s puzzled by people constantly calling him unconventional - Every second man in India looks like me. How am I unconventional? On acting decisions, he says he can never see himself play the regular 'shaadi-vyah’ roles and defends certain commercial choices like Munna Michael. This year Siddiqui will be seen playing Saadat Hasan Manto in Nandita Das’s film as well Netflix’s first Indian series Sacred Games. He’s currently preparing to play Balasaheb Thackeray in a biopic. #NawazuddinSiddiqui #MunnaMichael #SacredGames #Thackeray #Manto 00:01 - How Shatrughan Sinha inspired Nawazuddin Siddiqui to become an actor. 01:47 - What does political level "chaalbaazi" of a character mean. 03:53 - Preparation for a character. 05:08 - Detailing for a fictional character. 05:51 - Not giving up the struggle. 07:54 - "If I perform a scene, no one else could perform the same scene like I would". 08:33 - The stardom feel. 08:56 - Staying grounded. 09:59 - The task of acting is to engage the audience. 10:59 - Discovering myself through characters and not getting carried away by success. 12:33 - Talking about his preparation for his role in Munna Micheal. 14:21 - Doing a film only for money then too giving 100% conviction to the character. 15:48 - Performing a scene in a different way in the film Genius and content driven versus commercial cinema. 18:15 - Doing any film in which the character would become a hit. 18:59 - "It should only be me and only me in the film". 19:32 - The drive for saying yes to a film and preparing for the film Thackeray 20:26 - As an actor shifting from the character of Manto to the character of Thackeray. 23:21 - The fear while portraying the character of Balasaheb Thackeray. 24:26 - Assignments through power, money and relationships in the industry. 25:52 - Making a 50 crore film with me. 27:07 - The conventional and unconventional actor. 27:59 - Talking about frustration. 28:40 - Family life, real life, staying truthful to the characters. 30:31 - Staying away from Box-office. 31:16 - Failure of Raman Raghav 2.O 33:38 - Wearing the same suit for Cannes Film Festival. 34:17 - Magic Mantra of Nawazuddin Siddiqui. 36:48 - Favorite performance. 38:04 - AQ - Preparation for auditions. 38:57 - Talking about doing acting workshops and theater. 39:27 - AQ - Mukkabaaz and Vineet Kumar SIngh's performance in the film. 40:06 - Equation and understanding with Anurag Kashyap. 41:22 - Behavior with the Director and allowing him to extract the performance by me. Have you subscribed to Film Companion yet? Join us here - http://bit.ly/FCsubscribe Visit us at http://filmcompanion.in Do Like, Share, Comment & Subscribe to our channel. Subscribe: http://bit.ly/FCsubscribe Follow Us On: https://www.facebook.com/filmcompanion https://www.twitter.com/filmcompanion http://instagram.com/filmcompanion The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism and review of cinema and towards such purpose the programs use short extracts of cinematograph films, sounds recording and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the compete work by the owners of the copyright. The use of works are in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we asset our use of the works under the exception provided for criticism and review. |
| Category | Entertainment |
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