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| Name | Sweet Girl 2021 Rachel Cooper jumps into the water. Scene with the police |
| Video Uploader | Video From Recall 2 |
| Upload Date | This Video Uploaded At 20-08-2021 11:06:52 |
| Video Discription | š Please LIKE And SUBSCRIBE. For More Videos. Sweet Girl 2021 This goes without saying that the politics that surround the entire landscape of the hypocritical healthcare system and the pharmaceutical industry is ripe with heady material. Directors likeĀ Steven SoderberghĀ (Side Effects &Ā Unsane) have explored it through genre convenience, albeit with mixed results. With Sweet Girl, producer turned debut director Brian Andrew Mendoza plots his fugitive-on-the-run story around one such pharmaceutical conspiracy. Film plays out within the context of a typical fugitive-on-the-run narrative, closely followed by one of the FBI agents played by Lex Scott Davis trying to help Rachel make sense of her tragedy. Coming to the filmās need to address the issues that prevail within its universe, Sweet Girl strays far away from it. In the lure of being a thriller that engages the audience, the film uses the political context and the conspiracy that pushes it forward as mere plot points. It neither takes time to slows down to let us understand the two central characters better nor has a proper sense of how trauma and grief actually work. I mean, I understand that itās different for some people and violence can be like an outlet to these emotions, but the filmās idea is to indulge these two people in as many cross-fires as possible; so as to give this story a sleek edge is really lazy. While thereās nothing wrong with that, this lack of proper plot progression really hampers the filmās heavy subtext. In a way, the film glorifies its protagonistās choice of taking revenge without holding him responsible. It almost absolves him of it too. However, thanks to the sequence in the second act where Ray and Rachel meet up with Amos Santos at a diner, this blatant misstep is numbed down considerably. But then again, the film ploys a really unoriginal plot twist into the mix that derails the film in the third act. A lot of groundwork is needed for such a twist, but director Brian Andrew Mendoza fails miserably in that context. Sweet Girl has three accredited screenwriters, which might be the reason why there is no sense of cohesion in the filmās more intimate moments. A whole lot of the third act also puts excessive baggage on Isabela Mercedās shoulders. The young actor tries her best, but a lack of proper guidance from the writerās perspective puts her character in a strange mix of polar-opposite personality traits. She is unable to balance this wobbly persona and the film just drowns itself post that. Praises are also due to the amazing stunt work here. I particularly liked that Mendoza goes for more hand-to-hand combat rather than making bullets fly. The action sequence, for most of the film, are well choreographed and intense. Sadly, not much in Sweet Girl works, and that is sad because Mendoza claims that he is inspired by No Country for Old Men and Fight Club. While you can clearly see bits and pieces of both those great films here, Mendozaās work becomes instantly forgettable. |
| Category | Film & Animation |
| Tags | Sweet Girl 2021 Rachel | Sweet Girl Rachel | Sweet Girl 2021 Rachel jumps | sweet girl movie | Sweet Girl | Sweet Girl police scene |
