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After the BBC cancelled the original format of Top Gear in December 2001, Jeremy Clarkson and producer Andy Wilman met together to work out ideas for reviving the programme for television. This led to them eventually meeting the broadcaster to pitch the idea of changing it from a motoring magazine format to one that was studio-based. Amongst the ideas that were pitched included: the involvement of a fixed location for car reviews and other films, alongside locations across Britain and abroad; putting notable cars through a timed lap of a circuit; the involvement of test driver with veteran racing experience, who handles driving some of the cars for the programme; and the participation of celebrity guests who would be invited to take part in an episode, undertake an interview over motoring matters, such as their car history, and take part in a special challenge to do a timed lap in a designated car. Following the pitch, the BBC decided to green-light the new format, in order to create a programme to compete with Channel 5's new motoring show Fifth Gear, to which several original Top Gear presenters including Tiff Needell, Vicki Butler-Henderson and producer Jon Bentley went.
Production began in mid-2002, with the broadcaster securing the right to use Dunsfold Aerodrome, an airport and business park in Waverley, Surrey, as the programme's fixed location – while its runways and taxiways were allocated for reviews and other films, one of the site's large aircraft hangars was transformed into Top Gear's new studio. To match the proposed ideas for the new format, the BBC gained assistance from Lotus to design a race circuit for use on the programme that would be situated at the fixed location, while editing of films that were recorded for each episode, focused on extending the runtime of the programme to one hour. Wilman took on the role of the show's executive producer, while Clarkson became part of the hosting line-up. Because those who had worked with Clarkson on the original programme had left the BBC to work on Fifth Gear, the production team arranged for him to be joined by Richard Hammond and Jason Dawe.
A difficulty found during production revolved around the show's test driver – neither Clarkson nor Wilman could find a racing driver with experience at speaking on-camera. In discussions over this, the pair opted to make the driver silent, and later having their identity concealed. When they recruited Perry McCarthy amongst their possible candidates for the role, his input led to Wilman choosing to nickname the test driver "the Stig".
The first series of the new format of Top Gear premiered on 20 October 2002. In its early state, the programme's segments were based on elements of the previous format, such as interviews and viewers' letters, but also featured some new humorous elements, such as the presenters regularly destroying a caravan during the early series.
After the first series, Dawe was replaced by James May. Having previously been a presenter on Channel 4's motoring programme Driven and the 1999 series of Top Gear, May initially declined to be a part of the new format, until its growing popularity later changed his mind.
At the beginning of the third series, McCarthy was replaced by Ben Collins for contractual reasons – the change in drivers was notable in the fact that for Collins' version, the Stig's outfit was changed from a black outfit to a white one.
As the programme progressed, the format slowly began to transform, with a focus towards creating a unique presentation style for the programme, which included the addition of new segments, a more unusual approach to reviewing cars, road trips, and more specialised films involving races – either between cars or between a car and another form of transportation – and completing a variety of challenges, mostly with cheap, second-hand cars.
In early 2006, the BBC made plans to move the programme's film site from Dunsfold to Enstone, Oxfordshire, in preparation for its eighth series. These were later cancelled, after West Oxfordshire District Council strongly objected to the planned move, on the basis of noise and pollution concerns. As a direct result, the broadcaster ordered that filming continued at Dunsfold during May of that year, despite having no permit to do so, with the eighth series unveiling a revamped studio set. In addition, the "Star in a Reasonably Priced Car" segment was modified with new rules along with a new car, while Hammond included one of his dogs for the series throughout its studio segments, along with a number of films made for this series and the next. |