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| Name | Walter Murch - The law of 30% (85/320) |
| Video Uploader | Video From Web of Stories - Life Stories of Remarkable People |
| Upload Date | This Video Uploaded At 13-09-2017 12:49:29 |
| Video Discription | To listen to more of Walter Murch’s stories, go to the playlist: https://www.youtube.com/playlist?list=PLVV0r6CmEsFzCodipONmNiROhYCUWyz_U Walter Scott Murch (b. 1943) is widely recognised as one of the leading authorities in the field of film editing, as well as one of the few film editors equally active in both picture and sound. [Listener: Christopher Sykes] TRANSCRIPT: 'The Conversation' was 4.5 hours long when it was first assembled. The script was 150 something pages long. So that kind of explains why it was such a long film and it was shot... many of the takes are long takes. 'Apocalypse Now' was 5.5 hours at least. 'Cold Mountain' was five hours and ten minutes. 'Talented Mr. Ripley' was 4.5 hours; 'English Patient' was similar. And each of those films was eventually cut down to probably half of that original length. And what I have... a kind of rule of thumb that I have for my own purposes is that an assembly of a film when you lay it all out, and you are not second guessing anything, everything is given its due purpose. You measure that length and then say, 'What is 30% of that.' And that gives you an approximate hit on how can we... in reducing the length of this film by what I call 'diet and exercise.' Which is just do we need to be that long as she leaves? Maybe we can come in at the beginning, this moment when he opens the door rather than that prologue of the scene. Just finding these little efficiencies in the... in the way you tell it can reduce the length by about 30% from the original. If you want to go further than that, you can, and I have, we have, but to do that you have to actually cut out... do surgery, and you have to cut out what otherwise seem to be essential scenes or even characters have to disappear out of the film. In 'The Conversation', there was a subplot involving Harry's role in the apartment building where he lived. It turned out that he actually owned the apartment building and was speculating on its value because urban redevelopment was coming to knock it down and build something else there. And so he was not maintaining the building very well because why spend money on something that's going to be knocked down? All of the other residents of the apartment building were complaining about this, and ironically they chose Harry, anonymous Harry, to represent them and go to the lawyer who represented the owner of the building to complain. So Harry went to this lawyer, and there was a scene where he was complaining about... to the lawyer about himself because that was his mission. And then ironically saying, you know, what are we going to do? There was not a single trace of that left in the film. It was thematically related to Harry's anonymity, and there was... there were solely comic elements of it, but it just... it had to go if the film was going to be anywhere near two hours long. So that's an example where there was no way to slightly whittle that scene down and then to get it down to some length. You actually had to just rip... rip the whole thing out. |
| Category | Entertainment |
| Tags | TAGS: Walter Scott Murch | Walter Murch | film-editing | film-editor | sound designer | film reconstruction | Web of Stories | The Conversation | English Patient | Talented Mr. Ripley | Apocalypse Now | Cold Mountain |
