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| Name | Steven Spielberg Directing Style Explained — 7 Ways He Crafts the Ultimate Cinematic Experience |
| Video Uploader | Video From StudioBinder |
| Upload Date | This Video Uploaded At 01-08-2022 11:00:18 |
| Video Discription | Steven Spielberg Directing Style — A complete breakdown of how Steven Spielberg makes movies, including cinematography, editing, color, music, and more. Spielberg Filmmaking Style ►► https://bit.ly/ds-ss StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Introduction to Steven Spielberg 00:40 - The DNA of Spielberg Films 01:32 - Story 04:36 - Production Design 07:11 - Color 10:09 - Camera 13:16 - Editing 17:16 - Sound 20:23 - Music 25:27 - Takeaways ───────────────────── Steven Spielberg Directing Style The genius of Steven Spielberg can be tricky to explain, but it cannot be understated. How Steven Spielberg makes movies is unlike any other director before or since. From the stories he tells to the immersive, cinematic experiences he constructs for the audience, there’s just nothing quite like him. In this video, we’re going to break down the Steven Spielberg directing style into seven categories: story, production design, color, cinematography, editing, sound, and music. Spielberg has a knack for telling stories about ordinary people in extraordinary circumstances. He’s not the only filmmaker to tell these stories but what makes him stand out is his ability to transpose that extraordinary experience to the audience watching. We are just as awed and transported as the characters, and Spielberg’s masterful storytelling is the culmination of all these elements. First up is the production design and how Spielberg uses the concept of scale. Everything is big, from the threats themselves (like sharks, aliens, fascism) to the settings around the characters. Color is one of the most important elements in production design but also a relatively underused element with the Steven Spielberg directing style. He will use it like many other filmmakers to help mediate the tones in his films (which can vary greatly). But he also uses color to draw the eye. Consider how he uses red wardrobe to draw our attention to specific characters in films like Schindler’s List, The Color Purple, and Empire of the Sun. A large part of Steven Spielberg’s directing style is his camerawork. Nobody moves the camera like him, and his ‘oners’ are legendary. Not only does he capture multiple compositions in a single shot, he instinctively knows how to keep the audience engaged and up-to-speed. Paired with these long takes is Spielberg’s editing that blends these shots together invisibly. This is the strategy behind continuity editing — to create a seamless presentation to help ensure immersion in the film. Finally, there’s sound and music. For Spielberg, sound design is both dynamic and specific. In Jurassic Park, we hear the quietest sounds like the ripple of water, and this is followed by a deafening roar of the T-Rex. The quiet puts the audience directly into the jeep to match the character’s experience with our own. He will also use sound to isolate a character or an idea, like the ticking clocks in Lincoln as a constant reminder of the pressing issues at hand. Music is a massive part of the Steven Spielberg directing style, largely due to his long-time composer John Williams. Williams is a lavish composer with swirling melodies that sweep us away to these extraordinary worlds. Hopefully, by the end of this video, you’ll be able to appreciate the genius of Steven Spielberg a little bit more. We’ve only scratched the surface on how Steven Spielberg makes movies which just goes to show that he is perhaps the greatest director of our lifetime. #FilmTheory #VideoEssay #Filmmaking ───────────────────── ♬ SONGS USED: All songs by John Williams "The Magic Of Halloween" "The Presses Roll" "Overture" "Journey To The Island" "End Credits" "E.T.'s New Home" "Building Trust" "Dream Country" "The Reunion" "The Lost World" "The Mine Car Chase" "Theme from Schindler's List (Reprise)" "Finding Coins And Learning to Read" "Roy and Gillian on the Road" "Jim's New Life" "Barry's Kidnapping" "Escape From Venice" "The Map Room - Dawn" "Abandoned In The Woods" "Anderton's Great Escape" "Escape From The City" "Suo Gan" "Catch Me If You Can" "Main Title And First Victim" "Munich, 1972" "The Tale of Viktor Navorski" "My Friend, The Brachiosaurus" "The Last Battle" "Welcome To Jurassic Park" "The Visitors" "The Empty Raft" "Escape, Chase, Saying Goodbye" "In The Idol's Temple" "Flight From Peru" "The Raider's March" Music by Artlist ► https://utm.io/umJx Music by Artgrid ► https://utm.io/umJy Music by Soundstripe ► http://bit.ly/2IXwomF Music by MusicBed ► http://bit.ly/2Fnz9Zq ───────────────────── SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0 Looking for a production management solution for your film? Try StudioBinder for FREE today: https://studiobinder.com/pricing — Join us on Social Media! — Instagram ►► https://www.instagram.com/studiobinder Facebook ►► https://www.facebook.com/studiobinderapp Twitter ►► https://www.twitter.com/studiobinder |
| Category | Film & Animation |
| Tags | steven spielberg directing | steven spielberg directing behind the scenes | steven spielberg directing jurassic park | steven spielberg on directing | spielberg directing | steven spielberg directing style | genius of steven spielberg | steven spielberg movies | steven spielberg use of music | steven spielberg sound | steven spielberg editing | steven spielberg color | steven spielberg making movies | steven spielberg video essay | steven spielberg cinematography |
